In interdisciplinary projects at the intersection of art, architecture and research, I use spatial, sonic and performative interventions to investigate the conditions through which architecture is perceived, produced and inhabited. I understand architecture not as a static object, but as a dynamic field continuously transformed by bodies, sound, movement, material, technology and time.

Architecture is more than aesthetic form. It negotiates interests, organizes relationships, directs processes and produces atmospheres. Every space is continuously transformed by the events that take place within it, as well as by the people, systems and infrastructures that act upon it.

From this perspective, architecture can be understood as the sum of time-based events unfolding in space. Research therefore becomes an architectural practice in itself: a method of observing, testing and designing new spatial conditions. By connecting artistic experimentation with architectural thinking, my work creates situations in which spatial, acoustic and social structures can be experienced differently and alternative forms of perception, interaction and use can emerge.